
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Finder (Atticus Kodiak) Mass Market Paperback – September 1, 1998
- Print length352 pages
- LanguageEnglish
- PublisherBantam
- Publication dateSeptember 1, 1998
- Dimensions4.12 x 0.94 x 6.83 inches
- ISBN-100553574299
- ISBN-13978-0553574296
Book recommendations, author interviews, editors' picks, and more. Read it now.
Customers who viewed this item also viewed
Editorial Reviews
Review
"A top-notch thriller...a powerhouse of a story that will leave readers gasping."—Booklist
"A memorable novel, dark as a moonless night."—Mostly Murder
"As grit-gray and compelling as life. A-plus."—Philadelphia Inquirer
"Rucka blends Spillane's 'tough-guy' private eye with Chandler's noir insights and Hemingway's spartan expression....Once you've picked up this book, chances are you'll just keep going. And want more."—Statesman Journal, Salem, Oregon
From the Publisher
--The Boston Globe
"A top-notch thriller...a powerhouse of a story that will leave readers gasping."
--Booklist
"A memorable novel, dark as a moonless night."
--Mostly Murder
"As grit-gray and compelling as life. A-plus."
--The Philadelphia Inquirer
"Rucka blends Spillane's 'tough-guy' private eye with Chandler's noir insights and Hemingway's spartan expression....Once you've picked up this book, chances are you'll just keep going. And want more."
--Statesman Journal, Salem, Oregon
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
I only saw her because I was doing my job, just looking for trouble, and I must have missed him when he came in, because I didn't see him enter. He was a white male in his early thirties, neat in his clothes and precise in his movement, and he clearly wasn't with the scene, the way he lurked in the corners of the club floor. The Strap had been built in an abandoned warehouse, the walls painted pit-black and the lights positioned to make shadows rather than eliminate them. For people who were serious about the scene, The Strap wasn't a club of choice, and if they showed at all, it wasn't until after midnight, when the wannabes had gone to greener pastures or to bed.
Bouncing is a people-watching job, a process of regard and/or discard. You look for potential trouble; you isolate potential trouble; then you wait, because you can't react until you're certain what you've got really will be trouble.
I was waiting, watching him as he looked for her, as he weaved around the tops and bottoms playing their passion scenes. It was after two now, and the serious players had arrived, a detachment of leather- and PVC-clad types who took their playing very seriously indeed. Now and again, over the industrial thud of the music, the slap of a whip hitting skin, or a moan, or a laugh, would make it to my ears.
Trouble stopped to watch a chubby woman in her fifties get bound onto a St. Andrew's Cross, black rubber straps twisted around her wrists and ankles, making her skin fold and roll over the restraints. His hands stayed in his coat pockets, and I saw that he was sweating in the party lights.
Maybe cruising.
His manner was wrong, though, and when the woman's top offered him his cat-o'-nine-tails, Trouble fixed him with a level stare that was heavy with threat. The top shrugged a quick apology, then went back to work. Trouble cracked a smile, so fast it was almost a facial tic, then turned and headed for the bar.
It wasn't a nice smile.
Hard case, I thought.
I followed him with my eyes, then let him go for a minute to watch two new entrants. As the newcomers came onto the floor a woman cut loose with a pathetic wail, loud enough to clear the music, and the younger of the two stopped and stared in her direction. Both men were dark brown, with skin that looked tar-black where the calculated shadows hit them. The younger looked like a shorter, slighter version of the older, right down to their crew cuts. Both were dressed for watching, not for playing, and the younger couldn't have been much over twenty-one, just legal enough to get inside. His companion was older, in his forties. He shook his head at the younger man's reaction, said something I couldn't hear, and as they began moving off again, I looked back to the bar.
Trouble had ordered a soda from Jacob, the bartender. The Strap was a licensed club, and since there was nudity on the premises, it couldn't serve alcohol. Trouble paid with a wallet he pulled from inside his jacket, and when he put it back, the hem of his coat swung clear enough for me to see a clip hooked over his left front pants pocket. The clip was blacked, the kind used to secure a pager, or perhaps a knife.
So maybe he's a dealer, I thought. Waiting to meet someone, ready to make a deal.
Or he really is trouble.
He sipped his soda, licked his lips, began scanning again with the same hard look. A man and a woman crawled past me on all fours, each wearing a dog collar, followed by a dominatrix clad in red PVC. She held their leashes in one hand, a riding crop in the other, and gave me a smile.
"Aren't they lovely?" she asked.
"Paper trained?"
"Soon," she said.
Trouble had turned, looking down at the other end of the bar, and I followed his gaze, and that's when I saw Erika.
She wore a black leather miniskirt, torn fishnet stockings, and shiny black boots with Fuck-Me heels. Her top was black lace, also torn, showing skin beneath. Her hair was long, a gold like unfinished oak. The club lights made it darker and almost hid the stiff leather collar she wore, almost obscured the glint from the D ring mounted at the collar's center.
She was brutally beautiful.
She was just like her mother.
She was only fifteen.
Trouble and I watched her light a cigarette, tap ash into her plastic soda cup while watching the scenes play around her. She looked carefully bored, meeting gazes easily as she found them, no change in her expression.
The pitch and yaw in my stomach settled, and I took a breath, wondered if it really was Erika, wondered what the hell I was supposed to do now.
Trouble finished his soda and moved, settling beside her, his lips parting in an opening line. She didn't react and didn't look away, and he spoke again, resting his left arm on the bar, his right in his lap.
Erika cocked her head at him, then turned away on her stool, tossing her hair so it slapped him in the face.
He responded by grabbing her with his left hand, taking hold of her shoulder and spinning her back to face him, and that's when I started moving.
Erika tried to shrug his hand off, but he didn't let go, and I was close enough now to hear her saying, "Fucking fuck off, asshole."
"We're going," he told her.
Jacob had turned behind the bar, figuring maybe to break them up, but Trouble's right went to his pocket, and it wasn't a pager he'd been carrying, but a knife. He thumbed the blade out and it left a trail of silver in the light, like water streaming in a horizontal arc, and he casually swiped at the bartender's eyes. Jacob snapped his head back, both hands coming up for defense. Trouble kept the point on him over the countertop, his other hand still on Erika, and I arrived to hear him saying, "Don't be a hero." He had an accent, British and broad.
His back was to me, but Erika saw me coming, her mouth falling open with surprise and recognition as I brought my left forearm down on Trouble's wrist, pinning it to the bar. The surprise of the blow made him lose the blade, and it skidded over the edge, landing in a sink full of ice. It was a nice-looking knife, with a chiseled tanto point, the blade about three and a half inches long, and Jacob went for it immediately as Trouble started swearing. I felt him shift to move, and I snapped my right elbow back as he was bringing his free hand around for my head. I hit first, catching him in the face, and I came off his pinned arm, turning, to see him staggering back. He had released Erika, and had one hand to his nose.
She said my name.
"Erika," I said, still looking at Trouble. If he had reacted with any pain or surprise, I'd missed it, because now his hand was down and he was smiling at me. He looked at Erika for an instant, then back to me, and I took the opportunity to check his stance.
He knew what he was doing. He knew how to fight.
Blood flowed over his upper lip, and the smile turned bigger, and I could see dark pink around his teeth.
"You want me to show you out?" I asked him.
Trouble shook his head, and the smile blossomed into a grin.
"You took my knife," he said. The lighting made the blood from his nose look black. "That's a fucking precious knife, and you took it."
"You didn't have a knife. If you had a knife, you would have just committed a felony, and we'd have to call the cops."
"Fuck that," Jacob said. "I am calling the cops." I heard the rattle of plastic on metal as he reached for the phone.
Trouble shifted his weight, settling and coiling, wanting the fight, and I took a step to the side, putting myself between him and Erika, figuring that if I was about to get beaten, at least he'd walk away without her. His hands were up and ready, and his breathing was under control.
If he was a serious martial artist, I was deep in the shit. Despite my chosen profession, I don't like pain, and at seven-fifty an hour, I'm not getting paid enough to change that fact.
"You've no idea the world of hurt you've bought," Trouble said, showing me his teeth. His eyes moved from me to see beyond my shoulder, and then everything changed. His glee vanished with the grin, face turning into a battle mask, and he spat blood onto the floor.
I wondered how much this was going to hurt.
His hips began to torque, and I thought he was starting with a kick, prepped myself to block it.
But the leg didn't launch.
Instead he turned, breaking for the fire door, pushing through the people who had stopped to watch this different scene being played, knocking over the PVC woman with the leashes. She went backward, falling onto her slaves, crying out, and he kept going.
I went after him, trying to be more polite about my pursuit, but the fire door had already swung shut by the time I reached it. I slammed the release bar down and pushed, stepped out into the alley, checking left and then right, spotting him as he reached Tenth Avenue, then turned the corner.
By the time I could make the avenue, he'd be gone.
I thought about going after him anyway, then decided I'd gotten off easily and had better not push my luck. My breath was condensing in the mid-November air, and it was cold out, and getting colder. There was a wind blowing, too, floating the smells of alcohol, urine, and exhaust down the alley.
I heard the rubber seal at the base of the fire door scraping the ground, saw Erika stepping out to look past me to the avenue. The door swung shut slowly, and I heard the latch click.
"You broke his fucking nose," she declared.
"Probably," I said. "What'd you do?"
"Me? I didn't do anything."
"Something scared him off," I said. "What did he want?"
"He wanted to top me."
"With a knife?"
She shrugged, faked a shiver, and said, "I'm going back inside."
"The hell you are."
Erika stopped, turned her head and tossed her hair much as she had done to Trouble. "What?"
"You're fifteen, Erika. Isn't that right?"
"Twenty-one," she said immediately.
"You got some proof of that?"
"Atticus. You know who I am."
"Exactly."
She waited for more, and then realized that was my whole argument.
"Fuck you," she said, finally, then spun on one of her too-high heels, making to go back inside. I let her, because she couldn't get far. It was a fire door, after all, and there was no handle on the outside. Great for exiting the building in a hurry, not so good for a return trip.
It took her a second to come to the same conclusion. "I'll go through the front. No problem. I've done it before." She brushed past me, heading down the alley.
"I'll make sure you're carded."
"I've got ID."
"I'll tell them it's fake," I said.
That stopped her once more. Without turning, she said, "I fucking hate you."
"Nice to see you, too."
"Go to hell," Erika snarled. She turned and pointed a finger at me. "Where the fuck am I going to sleep tonight?"
"At home."
"You are so wrong." She threw her hands out as if to ward me off, then began shaking her head and muttering. The wind kicked up, gusted down the dark street, and I felt its teeth through my jacket. Erika had goose bumps on her skin, and the cheap lace of her top made her pale breasts stand out in contrast. I looked toward Tenth Avenue, feeling like a dirty old man.
She certainly wasn't dressing fifteen.
"Why the fuck are you doing this?" Erika demanded.
I took off my jacket and offered it to her.
She ignored it. "Where the hell do you get off telling me I can't go back in there? What's your fucking problem, huh?"
"You're underage, Erika," I said. "Will you put this on?"
"So fucking what?"
"So it's illegal, that's so fucking what. How'd you get in there?"
"None of your business."
"Will you please put this on?"
"Why?"
"Because I can see your nipples and they're erect and I embarrass easily," I said.
Erika checked her front, then grabbed a breast in each hand and looked at me. "That's the point, asshole," she said, squeezing, her thumbs and forefingers pinching flesh.
"Put on the goddamn jacket, Erika."
She grabbed my coat and put it on.
"Thank you," I said.
"You're a fucking asshole," she said.
I began heading toward Tenth Avenue, walking slowly, hoping she'd join me. After five steps, she did, falling in on my left.
We were almost to the corner when Erika asked, "How you been?" She asked it like I'd seen her yesterday and we'd maybe just caught a movie, then done some window-shopping at Macy's.
"I've been better. Why aren't you at home? Why aren't you in D.C.?"
Erika laughed. "The Colonel retired, lives in Garrison, now. I don't even live with him."
"So where do you live?"
"Wherever I find a bed, dipshit." She stopped, checked her tone, then continued, more patiently. "That's why I need to get back in there, Atticus. That's where I'm going to find my shelter for the night."
This time, I stopped. "You're tricking?"
"Sometimes, I guess. Sure."
"What the hell's happened? Why aren't you living at home?"
Erika took an impatient breath and looked off past my shoulder, shoving her hands into the pockets of my army jacket. The gesture revealed her age, the jacket much too big for her, the miniskirt almost entirely swallowed by its hem. The light on the street wasn't fantastic, but I could see her eyes clearly, and they looked fine, her pupils equal. She didn't seem to be on anything. I waited.
Erika said, "They got a divorce, you know that, right?"
"I heard a rumor."
She ran a knuckle over the bridge of her nose, wiping imaginary club grime away. "Yeah, well, the rumor is true. Maybe a year after you left, Mom took off. They've been fighting since then, over money, over me, you name it. It all went final about a year ago. I don't even know where she is these days, and frankly I don't fucking care. So, I live with the Colonel, just him and me . . . and he doesn't go out much anymore, you know?" She was still watching something beyond me, keeping her gaze distant. "He sort of sees me . . . he sort of sees me as in-home entertainment. So I don't like to be around the house that much."
In-home entertainment. I swallowed, felt a little sick as all of the implications of that phrase hit home.
An NYPD sector car turned off the avenue and headed down the street, passing us. Erika watched its progress, and when it stopped in front of the warehouse, she said, "Guess somebody called the cops, huh?"
"How long has it been going on, Erika?"
She shrugged, picking a spot on the pavement that interested her. "He retired a little before it went final, brought me home from school; I was going to boarding school in Vermont." She rubbed her hands against her upper arms, making friction for heat. "You going to take me home now? I'm fucking freezing my tits off."
Product details
- Publisher : Bantam
- Publication date : September 1, 1998
- Edition : Reprint
- Language : English
- Print length : 352 pages
- ISBN-10 : 0553574299
- ISBN-13 : 978-0553574296
- Item Weight : 6.4 ounces
- Dimensions : 4.12 x 0.94 x 6.83 inches
- Best Sellers Rank: #4,133,014 in Books (See Top 100 in Books)
- #18,114 in Contemporary Literature & Fiction
- #26,107 in Psychological Thrillers (Books)
- #40,484 in Suspense Thrillers
- Customer Reviews:
About the author

Greg Rucka is an award-winning author of comics, novels, and screenplays, including 2020’s The Old Guard, starring Charlize Theron. He is the author of some two-dozen novels, including the Atticus Kodiak series (Keeper, Finder, Smoker, Shooting at Midnight, Patriot Acts, and Walking Dead) as well as the Queen & Country series (A Gentelman’s Game, Private Wars, and The Last Run) which expands upon his Eisner-winning series of the same name, published by Oni Press.
He is the co-creator of the series Lazarus (with Michael Lark,) and Black Magick (with Nicola Scott) as well as The Old Guard stories with co-creator Leandro Fernandez. He is a multiple GLAAD, Eisner, and Harvey Award winner. His writing has included stories for both Marvel and DC, as well as penning three "middle-reader" Star Wars novellas.
Rucka was born in San Francisco and raised on the Monterey Peninsula. He earned his A.B. in English from Vassar College, and his MFA from USC. His first novel was published when he was 24, his first comic book series — Whiteout, from Oni Press — some five years later. He is married to writer Jennifer Van Meter. They have two children and one dog.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonTop reviews from the United States
There was a problem filtering reviews. Please reload the page.
- Reviewed in the United States on February 10, 2014We like the author and this was an inexpensive way to get a copy of a book we had not read.
- Reviewed in the United States on January 12, 2024Item arrived as described. Book jacket was worn and consistent with original description. Interior pages and binding were good. Makes for a good reading copy
- Reviewed in the United States on December 17, 2016Good
- Reviewed in the United States on July 16, 2017Well done
- Reviewed in the United States on July 14, 2004(3.5 stars) Picking up three months after the events in KEEPER, Rucka combines another fast-paced plot with some welcome fleshing out of his main protagonist, Atticus Kodiak. Kodiak has issues and I still think he's implausibly young for what he does but this time that actually plays into the story somewhat as his relative inexperience - not to mention his immaturity in dealing with relationships - is highlighted when he comes up against the SAS, in what is basically an extremely over-the-top custody battle.
Like Lawrence Block's Matthew Scudder series, Rucka earns a suspension of disbelief because he's so good at developing his characters. If there's one flaw, it's the same problem KEEPER had, with New York City feeling a little too sterile. The names and places are all correct but there's a certain something missing, that something that Block does so well in making the City a living, breathing character as opposed to simply a backdrop.
All in all, another strong, if flawed, outing and I look forward to reading the next installment in the series.
- Reviewed in the United States on September 9, 1999Love his books. I read Keeper and Finder, and am ordering Smoker too.. Atticus Kodiak isn't the typical invincible hero, and doesn't always win. Once I start reading, I have a hard time stopping... And he wears glasses, stud :-)
- Reviewed in the United States on December 13, 2006I have just started this book, but read Keeper just before this. I agree with several of the reviewers. It's unbeliveable anyone just 28 has had the experiences and adventures of Kodiak. The thing that bothers me most is his indiscriminate love life. He seems to sleep with whomever is handy. And how much older was Erika's mom during their "romance" since he was 24 and Erika was 11. Sounds like Diana was robbing the cradle, but Atticus was more than willing. I too couldn't understand Atticus enlisting the help of all his friends in a protection scheme when no one knew what was going on other than they would be pitted against some of the world's best trained killers. And what was a British team doing there in the first place? Was the retired colonel that important? It doesn't sound from the other reviewers that I will get many answers. I hope there aren't too many 15 yr olds like Erika in this world. If I am naive I'll stay that way thank you.
- Reviewed in the United States on June 27, 2008(MAY CONTAIN A SPOILER.)
I purchased this book and Mr. Rucka's previous Atticus Kodiak novel "Keeper" largely due to the reviews here on Amazon. Unfortunately, the reliability of Amazon as a source was less, in this case, than has previously been my experience.
It's not that this is a terrible book, but it certainly isn't great, or even very good. The dialogue is frequently perfunctory, and often unbelievable. Most of the characters are shallowly drawn, and many of the minor players are actually more developed than the central cast. Too often the only reason for a character's very existence seems to be as a device to move the plot forward, instead of having the plot grow from the actions and motivations of the characters.
Also, there were significant technical errors, especially with regard to police procedures and firearms. While I realize that most authors do not have extensive real-world experience in law enforcement, military service, or high-risk private military contract work, I do feel that they have a responsibility to their readers to either exclude technical detail, or else get it right. In one scene a character, supposedly a highly-trained Israeli special operator, fires a high-velocity assault rifle on a downtown New York street, but tells Kodiak that there is no risk to bystanders, since he loads his own ammunition and uses such low powder charges that the bullets will not injure anyone past a hundred yards. I won't bore you with all the technical detail, but take my word as a veteran of both the military and law enforcement, that simply isn't possible.
There were also certain inaccuracies relating to the SAS that seem to indicate the author merely skimmed some general source about the Regiment, and has no real knowledge of their structure, training, or methods. One minor example of this is his repeated and pointed use of the phrase "brick" to refer to a four-man team. Having done some liaison and exchange program time with member of the 22nd SAS, I can say categorically that I have never heard them refer to a four-man component as anything other than a "patrol", within the higher structures of Troops and Squadrons. (The term "brick" is used by the British Army to refer to a four man tactical element, but this was a development of the Army's Northern Ireland Training Team (NITAT) and the brick concept was used for improved flexibility by every regiment which operated in Ulster. While the 22nd SAS did participate in NITAT, they retained their own terminology.)I cannot categorically state that members of the 21st SAS or 23rd SAS may not use the word "brick", as I have no operational or personal experience with either unit, but my understanding is that these units function more as training and development commands, and occasionally in support of various British intelligence and security agencies, and would not therefore be involved in such activities as Mr. Rucka imagines. I also have to say that in one scene, and this is a key plot point, an SAS entry team is outwitted, and outmaneuvered , by a much older man who is dying from AIDS and is barely able to draw enough breath to speak, yet can outrun SAS troopers.
So while I understand that many readers might feel, as some reviewers point out, that Mr. Rucka explores a world of close-protection specialists that few authors have examined, I'm afraid that his books are simply too slapdash to be on any lasting interest.
Top reviews from other countries
-
tuppenceReviewed in Japan on May 3, 2007
4.0 out of 5 stars 強い男はかっこいい
私立ボディガード(というのでしょうか)のAtticus Kodiak シリーズ第二弾です。
前作から傷心を抱えたKodiakは身体警護のプロとしての仕事の請け負いをやめ、ナイトクラブの用心棒に身を落としております。
しかし、かつて愛した女性の娘の警護を強引に頼まれたことから、再びチームを組んで立ちあがります。
しかし今度の相手は地上戦に関してはプロ中のプロ、英国の元SASで、壮絶な戦いが繰り広げられることになります。
意表をつく謎解きがあるミステリーというより、ストレートなアクション小説ですが、息をつかせずに読ませてくれます。
人物像が魅力的なのと、プロのボディガードの仕事ぶりが頼もしいのとで、新鮮です。
それにしてもKodiak はもてるもてる。しかも範囲は幅広く、かつよくふられてます。
それでもなぜか純情に感じるヒーローです。
-
socksReviewed in Japan on September 1, 2015
3.0 out of 5 stars 翻訳古沢嘉通氏推薦
マイクル・コナリー・ボッシュシリーズの後書きに推薦されていました。
マイクル・コナリーにはとても及びませんが、それなりではあります。